
There’s nothing really special about my setup. I’ve got an Ikea desk, a docked laptop + external monitor and I draw on a 4 (or is it 5?) year-old Bamboo Create. I’m thinking this is the year I finally upgrade to some sort of Cintiq (and eat nothing but ramen). My only other “drawing tool” is a soft Moleskine sketchbook that I carry everywhere for note-taking, life-drawing, etc.
Even though I’ve got a case full of mechanical pencils, markers and pens from years past, I’ve lately been happy using just a plain old HB 2 pencil. Most of my completed work is done entirely digitally, anyway. The only parts I do on paper anymore are comic page thumbnails and story layouts.
We never really discussed it. From my perspective, drawing out a chapter before asking for the next one proved my commitment to seeing the project through, especially since I would sometimes stop working on it for months at a time. Frankly, I was just happy to be working on a script by Limerick. I didn’t feel like being difficult about the specifics.
That’s an interesting idea, but it makes it difficult to have an ongoing plot where characters’ past actions have rippling effects. Thanks for the suggestion, though! It might be fun for a one-off story.
I agree! I even mention it in the Collector’s Edition extra commentary: I wish we could’ve followed the minor character’s transformations in the background. Not doing so was an unfortunate side effect of working on the art without having the full script: I only received each “chapter” once I was done illustrating the previous one. It’s also the reason there isn’t much foreshadowing of Catherine’s “maid” transformation.

I’ve often toyed with the idea of revisiting past works. Before Bed & Breakout, when my paid products consisted mainly of sequences, some people complained that my work lacked “sexy times” and ended “right as things got interesting”. I briefly entertained the idea of a “Where Are They Now?” bundle. It would gather all my older premium sequences into a single product plus some pinups and epilogue sex scenes to wrap them up.
I’ve also thought of doing a sequel to the Mind Control POV at the beach! I’m pretty fond of its format, it would probably also work great as an interactive story/game.
As for Bed & Breakout, I doubt I’ll be revisiting it any time soon, though I have been contemplating a more long-form, ongoing bimbofication project with recurring characters that keep getting TFed and bimbofied in various fun ways. My main sticking point is coming up with an in-universe way to have them turn back to normal again and again.
It’s honestly hard to say. Here’s a graph of my revenue and pageviews per day for 2017 (specific numbers removed):

As you can see, any increase in sales was definitely not proportional to the increase in traffic. Sadly, my analytics aren’t perfectly set up so I can’t tell exactly where my buyers come from. I’m assuming some are new people who discovered my work because of the controversy, but the vast majority of visitors (like 99%) were just curious to see what this “bimbofication fetish” is about. Very, very few of them were potential customers.
Sales spike whenever I release anything new and the whole controversy started just as Study Break was winding down. It’s hard to say if those minor peaks would’ve happened anyway but it’s definitely telling that, on the revenue graph, going viral is practically indistinguishable from any other day.
There’s tons of ways to interpret the data, but I think it’s heartening to realize that my income results from hard work and my fans’ support rather than random, unpredictable “viral events”.
I’m doing well! It was an interesting experience. Thanks for the kind words, Anon! <3 I hope to keep making work you enjoy for years to come!

Sorry! I’d rather not hype it until it’s actually close to completion.
I’m currently busy with non-porn projects I’ve been putting off. Once that’s done, I’ve got a bunch of TF projects waiting. I’ve had the first part of a new script by Limerick sitting in my inbox for almost a year, now. I also have a bunch of my own ideas I’d love to realize. If only there were more hours in a day!
Hey Anon, what an interesting question! I had completely forgotten about that detail!
Can’t say I remember consciously deciding to cut the Bubblegum bimbo. In adapting Limerick’s script, I often tried to distill the essence of a scene rather than get stuck on specifics. Part 4 is the “aftermath”: society has adjusted to the virus’ effects, people aren’t fucking in the streets anymore and bimbos are contributing members, each in their own special way. Every transformee in the hotel has a specific “job”, so what’s our “Bubblegum bimbo” doing simply walking around? I felt like readers might ask themselves that same question and she’d end up being distracting. If I can’t come up with a good reason to draw something, I’d rather spend the time and effort elsewhere. Or maybe I was just lazy.
As for her look, I’m picturing something very pink, like this (though I suppose she could also be made of bubblegum):
